Maat or Mayet, as it thought to have been pronounced  was the Ancient Egyptian concept of truth, balance, order, law, morality, and justice.  Maat who is sometimes personified as a goddess regulating the stars, seasons, and the actions of both mortals and the deities. She is the one who set the order of the universe from chaos at the moment of creation.  Maat is usually depicted in the form of a woman seated or standing with outstretched wings attached to both her arms.  In other instances she is seen holding a scepter in one hand and an ankh (the symbol of life) in the other.  Her statue was a stone platform depicting a stable foundation on which order was built.  A common symbol associated with her is an ostrich feather, which she is almost always shown as wearing in her hair.  The Feather of Ma’at was a distinctive feature of her headdress.  Less frequently images of the goddess showed her without a head, instead replaced by the feather.  In other images the feather alone conveyed her presence.  This feather has come to symbolize her being, as well as the representation of balance and order, it became a hieroglyph for “truth.”  Her ideological opposite was Isfet (Egyptian jzft), meaning injustice, chaos, violence or to do evil. After her role in creation and continuously preventing the universe from returning to chaos, her primary role in ancient Egyptian religion dealt with the Weighing of the Heart that took place in the DUAT(the underworld/after death). Her feather was the measure that determined whether the souls (considered to reside in the heart) of the departed would reach the paradise of the afterlife successfully.                                                                       
The earliest surviving records indicating that Maat became the norm for nature and society, in this world and the next, were recorded during the Old Kingdom of Egypt, the earliest substantial surviving examples being found in the Pyramid Texts of Unas (ca. 2375 BCE and 2345 BCE).  Later, when most goddesses were paired with a male aspect, her masculine counterpart was Thoth, as their attributes are similar. In other accounts, Thoth was paired off with Seshat, goddess of writing and measure, who is a lesser-known deity.  Pharaohs are often depicted with the emblems of Maat to emphasise their role in upholding the laws and righteousness.  Maat represents the ethical and moral principle that every Egyptian citizen was expected to follow throughout their daily lives. They were expected to act with honour and truth in manners that involve family, the community, the nation, the environment, and the gods.  
Maat as a principle was formed to meet the complex needs of the emergent Egyptian state that embraced diverse peoples with conflicting interests. The  development of such rules sought to avert chaos and it became the basis of Egyptian law. From an early period the King would describe himself as the “Lord of Maat” who decreed with his mouth the Maat he conceived in his heart.  The significance of Maat developed to the point that it embraced all aspects of existence, including the basic equilibrium of the universe, the relationship between constituent parts, the cycle of the seasons,   heavenly movements, religious observations and fair dealings, honesty and truthfulness in social interactions.  

The ancient Egyptians had a deep conviction of an underlying holiness and unity within the universe. Cosmic harmony was achieved by correct public and ritual life. Any disturbance in cosmic harmony could have consequences for the individual as well as the state. An impious King could bring about famine, and blasphemy could bring blindness to an individual. In opposition to the Maat is the concept of Isfet: chaos, lies and violence.  In addition to the importance of the Maat, several other principles within ancient Egyptian law were essential, including an adherence to tradition as opposed to change, the importance of rhetorical skill, and the significance of achieving impartiality and “righteous action”. In one Middle Kingdom (2062 to c. 1664 BCE) text the Creator declares “I made every man like his fellow”. Maat called the rich to help the less fortunate rather than exploit them, echoed in tomb declarations: “I have given bread to the hungry and clothed the naked” and “I was a husband to the widow and father to the orphan”.  A passage in the Instruction of Ptahhotep presents Ma’at as follows:  Ma’at is good and its worth is lasting. It has not been disturbed since the day of its creator, whereas he who transgresses its ordinances is punished. It lies as a path in front even of him who knows nothing. Wrongdoing has never yet brought its venture to port. It is true that evil may gain wealth but the strength of truth is that it lasts; a man can say: “It was the property of my father.” There is little surviving literature that describes the practice of ancient Egyptian law.
Maat was the spirit in which justice was applied rather than the detailed legalistic exposition of rules. Maat represented the normal and basic values that formed the backdrop for the application of justice that had to be carried out in the spirit of truth and fairness. From the Fifth Dynasty (c. 2510–2370 BCE) onwards, the Vizier ( the one responsible for justice ) was called the Priest of Maat and in later periods judges wore images of Maat.  Later scholars and philosophers also would embody concepts from the Sebayt, a native wisdom literature. These spiritual texts dealt with common social or professional situations and how each was best to be resolved or addressed in the spirit of Maat. It was very practical advice, and highly case-based, so few specific and general rules could be derived from them.

TEMPLES The earliest evidence for a dedicated temple is in the New Kingdom (c. 1569 to 1081 BCE) era, despite the great importance placed on Maat. Amenhotep III commissioned a temple in the Karnak complex, whilst textual evidence indicates that other temples of Maat were located in Memphis and at Deir el-Medina. The Maat temple at the Karnak complex was also used by courts to meet regarding the robberies of the royal tombs during the rule of Ramesses IX.  


THE WEIGHING OF THE HEART In the Duat, the Egyptian underworld, the hearts of the dead were said to be weighed against her single “Feather of Ma’at”, symbolically representing the concept of Maat, in the Hall of Two Truths. This is why hearts were left in Egyptian mummies while their other organs were removed, as the heart (called “ib”) was seen as part of the Egyptian soul. If the heart was found to be lighter or equal in weight to the feather of Maat, the deceased had led a virtuous life and would go on to Aaru. Osiris came to be seen as the guardian of the gates of Aaru after he became part of the Egyptian pantheon and displaced Anubis in the Ogdoad tradition. A heart which was unworthy was devoured by the goddess Ammit and its owner condemned to remain in the Duat.  The weighing of the heart, pictured on papyrus in the Book of the Dead typically, or in tomb scenes, shows Anubis overseeing the weighing and Ammit seated awaiting the results so she could consume those who failed. The image would be the vertical heart on one flat surface of the balance scale and the vertical Shu-feather standing on the other balance scale surface. Other traditions hold that Anubis brought the soul before the posthumous Osiris who performed the weighing. While the heart was weighed the deceased recited the 42 Negative Confessions as the Assessors of Maat looked on. The doctrine of Maat is represented in the declarations to Rekhti-merti-f-ent-Maat and the 42 Negative Confessions listed in the Papyrus of Ani.  

ASSESSORS OF MAAT The Assessors of Maat are the 42 deities listed in the Papyrus of Nebseni, to whom the deceased make the Negative Confession in the Papyrus of Ani. They represent the 42 united nomes of Egypt, and are called “the hidden Maat gods, who feed upon Maat during the years of their lives;” i.e., they are the righteous minor deities who deserve offerings. As the deceased follows the set formula of Negative Confessions, he addresses each god directly and mentions the nome of which the god is a patron, in order to emphasize the unity of the nomes of Egypt.  

SEKHMET

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